The Noise CHOP makes an irregular wave that never repeats, with values approximately in the range -1 to +1.
It generates both smooth curves and noise that is random each sample. It uses the same math as the Noise SOP.
You can create several curves with different shapes, and you can adjust period, amplitude, harmonics and more.
Optionally, an input can be connected. It is assumed that the input contains 1 to 3 channels representing X, Y and Z coordinates of points in space, and are used to sample anywhere in 3D noise space. One index in the input produces one sample in the output.
All noise functions work identically with Time Slicing on and off, with the exception of Harmonic Summation and Brownian whose methods cannot be limited to 1 in Time Slice mode. When the Timeline wraps around to frame 1, the noise functions will continue uninterrupted.
Parameters - Noise Page
type - ⊞ - The noise function used to generate noise. The functions available are:
sparse- Produces high quality, continuous noise based on Sparse Convolution.
hermite- Quicker than Sparse, but produces lower quality noise.
- Harmomic Summation
harmonic- Sparse noise with the ability to control the frequency step of the harmonics. Slowest type.
brownian- Works like a bug in random flight. With Num of Integrals at 2, its acceleration is changed randomly every frame.
random- (White Noise) Every sample is random and unrelated to any other sample. It is the same as "white noise" in audio.
alligator- Cell Noise.
seed - Any number, integer or non-integer, which starts the random number generator. Each number gives completely different noise patterns, but with similar characteristics.
period - The approximate separation between peaks of a noise cycle. It is expressed in Units. Increasing the period stretches the noise pattern out.
- Period is the opposite of frequency. If the period is 2 seconds, the base frequency is 0.5 cycles per second, or 0.5Hz for short. Hz refers to Hertz, the electrical and audio engineer of the 19th century, not the car guy.
- If the Type is set to Random, setting this to zero will produce completely random noise. Otherwise, the period should be greater than zero.
harmon - The number of higher frequency components to layer on top of the base frequency. The higher this number, the bumpier the noise will be (as long as roughness is not set to zero). 0 harmonics give the base shape.
- Harmonics with a base frequency of 0.1Hz will by default produce harmonics at 0.2Hz, 0.4Hz, 0.8Hz, etc. (up to the number of harmonics specified by the Harmonics parameter).
spread - The factor by which the frequency of the harmonics are increased. It is normally 2. A spread of 3 and a base frequency of 0.1Hz will produce harmonics at 0.3Hz, 0.9Hz, 2.7Hz, etc. This parameter is only valid for the Harmonic Summation type.
rough - Controls the effect of the higher frequency noise. When roughness is zero, all harmonics above the base frequency have no effect. At one, all harmonics are equal in amplitude to the base frequency. When roughness is between one and zero, the amplitude of higher harmonics drops off exponentially from the base frequency.
- The default roughness is 0.5. This means the amplitude of the first harmonic is 0.5 of the base frequency, the second is 0.25, the third is 0.125. The harmonics are added to the base to give the final shape. The Harmonics parameter and the Roughness parameter must both be non-zero to see the harmonic effects.
exp - Pushes the noise values toward 0, or +1 and -1. (It raises the value to the power of the exponent.) Exponents greater than one will pull the channel toward zero, and powers less than one will pull peaks towards +1 and -1. It is used to reshape the channels.
Num of Integrals
numint - Defines the number of times to integrate (see the Area CHOP p. 114) the Brownian noise. Higher values produce smoother curves with fewer features. Values beyond 4 produce somewhat identical curves. This parameter is only valid for the Random noise type.
amp - Defines the noise value's amplitude (a scale on the values output).
Parameters - Transform Page
The Translate, Rotate, Scale and Pivot parameters let you sample in a different part of the 3D noise space. Imagine a different noise value for every XYZ point in space. Normally, the Noise CHOP samples the noise space from (0,0,0) along the X-axis in steps of 2/period.
/tx /ty /tz /rx /ry /rx /sx /sy /sz /px /py /pz
- By changing the transform, you are translating, rotating and scaling the line along which the Noise CHOPs samples the noise space. A slight Y-rotation is like walking in a straight path in the mountains, recording your altitude along the way, then re-starting from the same initial location, walking in a slightly different direction. Your altitude starts off being similar but then diverges.
xord - ⊞ -
- Scale Rotate Translate
- Scale Translate Rotate
- Rotate Scale Translate
- Rotate Translate Scale
- Translate Scale Rotate
- Translate Rotate Scale
rord - ⊞ -
- Rx Ry Rz
- Rx Rz Ry
- Ry Rx Rz
- Ry Rz Rx
- Rz Rx Ry
- Rz Ry Rx
t - ⊞ -
r - ⊞ -
s - ⊞ -
p - ⊞ -
Parameters - Constraints Page
constraint - ⊞ - Constraint and its parameters allows the noise curve to start and/or end at selected values. The mean value may also be enforced. Note: This only works when Time Slice is Off because time slicing has no pre-determined start/end.
- Start Value
- End Value
- Mean Value
- Start/End Values
normal - Ensures that all noise curves fall between -1 and 1. Applied before the Amplitude parameter. Only valid for Random and Harmonic Summation noise types, since Hermite and Sparse noise are always normalized. Normalizing random noise occurs between integrations, producing a more controlled curve. Note: This only works when Time Slice is Off because time slicing has no pre-determined start/end.
Parameters - Channel Page
By typing multiple names into the Channel Name field, multiple noise channels are created. Each channel has a unique seed, so all channels will be different with the same parameter settings.
You can generate many channels at once:
chan1 chan2 chan3 chan4. See Pattern Expansion.
All parameters on this page specify the format of the channels to be filled with noise, and act the same as the Channel page in the Wave CHOP. For more information see Channel Page.
left - ⊞ -
- Default Value
right - ⊞ -
- Default Value
Parameters - Common Page
timeslice - Turning this on forces the channels to be "Time Sliced". A Time Slice is the time between the last cook frame and the current cook frame.
scope - To determine which channels get affected, some CHOPs use a Scope string on the Common page.
Sample Rate Match
srselect - ⊞ - Handle cases where multiple input CHOPs' sample rates are different. When Resampling occurs, the curves are interpolated according to the Interpolation Method Option, or "Linear" if the Interpolate Options are not available.
- Resample At First Input's Rate
first- Use rate of first input to resample others.
- Resample At Maximum Rate
max- Resample to the highest sample rate.
- Resample At Minimum Rate
min- Resample to the lowest sample rate.
- Error If Rates Differ
err- Doesn't accept conflicting sample rates.
exportmethod - ⊞ - This will determine how to connect the CHOP channel to the parameter. Refer to the Export article for more information.
- DAT Table by Index
datindex- Uses the docked DAT table and references the channel via the index of the channel in the CHOP.
- DAT Table by Name
datname- Uses the docked DAT table and references the channel via the name of the channel in the CHOP.
- Channel Name is Path:Parameter
autoname- The channel is the full destination of where to export to, such has
autoexportroot - This path points to the root node where all of the paths that exporting by Channel Name is Path:Parameter are relative to.
exporttable - The DAT used to hold the export information when using the DAT Table Export Methods (See above).
- Input 0 -
|• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •|
A Time Slice is the time from the last cook frame to the current cook frame. In CHOPs it is the set of short channels that only contain the CHOP channels' samples between the last and the current cook frame.
To pulse a parameter is to send it a signal from a CHOP or python or a mouse click that causes a new action to occur immediately. A pulse via python is via the
.pulse() function on a pulse-type parameter, such as Reset in a Speed CHOP. A pulse from a CHOP is typically a 0 to 1 to 0 signal in a channel.
samples-per-second of a CHOP. Each CHOP in your network has a sample rate, whether it is used or not. The overall timeline has a "frame rate", which is the number of animation frames per second, generally your monitor display frequency.
A parameter in most CHOPs that restricts which channels of that CHOP will be affected. Normally all channels of a CHOP are affected by the operator.
Exporting is the connection of CHOP channels to parameters of operators. The output of each exporting CHOP is one or more channels, active only while the CHOP Viewer is on. The current value of a channel can be exported to a parameter of any operator, overriding that parameter's value. See Parameter.
Parameters in TouchDesigner are an operator's settings (numbers, menus, flags, strings, paths) which the user can alter. Parameters for any operator can be opened by right-clicking on the operator and selecting "Parameters..." A currently selected operator's parameters can be viewed in a Network Editor by pressing the keyboard shortcut 'p'.